His current book project, The Floating World: Japoniste Aesthetics and Global Modernity (under contract with Columbia University Press), challenges conventional notions of “japonisme” as a nostalgic reverie of a vanishing Old Japan. Reading Euro-American literary, critical, and cinematic uses of Japan in the context of Japanese modernization, the book argues for a tradition of “japoniste aesthetics” that represents a complex and self-conscious response to globalization, from the age of Impressionism to postmodernism.
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